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Compress FLAC

Free Online FLAC Compressor

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*Files deleted after 24 hours

Convert up to 1 GB files free, Pro users can convert up to 100 GB files; Sign up now

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How to Compress FLAC

1 Drop your FLAC audio files into the box above, or pick them from your device — there is nothing to install and no account to create.
2 Choose how hard to squeeze: a target bitrate, and optionally mono or a lower sample rate when size matters more to you than fidelity.
3 Start the job and let the workers re-pack the file; your original is never modified in place.
4 Compare the new size against the original, then download the compressed FLAC file.

Compress FLAC FAQ

How does Compress FLAC actually make the file smaller?
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Concretely, you either stay lossless and move to a compressed lossless codec, which is free in fidelity terms and roughly halves the size, or you accept a lossy target for a much larger reduction; the tool makes that a choice rather than an assumption. Nothing about it depends on you installing software: the job runs server-side and hands back a finished file.
That is decided by the material and the bitrate you target, not by the tool. Speech, podcasts and sparse acoustic recordings stay clean at a low bitrate and shrink dramatically; dense music, applause and cymbals need far more to survive intact. Halving the bitrate roughly halves the file, and taking a spoken-word recording to mono halves it again.
Very much so. FLAC is lossless compression — bit-identical to the source on decode, at about half the size of WAV. That determines both the headroom available and whether the saving costs you anything in fidelity.
Yes — FLAC decodes bit-identically to the source, so any number of edit-and-resave cycles cost you nothing in fidelity. It is worth knowing before you overwrite an original you might need again.
Compressing the same file repeatedly. Each pass on a lossy format is a fresh generation of loss and the savings shrink while the damage accumulates. Go from the original to your target in one step, and keep the original.
A single compressed file per input, at a bitrate you choose rather than a fixed default. If it is still too large, taking a spoken-word recording to mono or to a lower sample rate does more than shaving the bitrate any further.
WAV, FLAC and AIFF, at any bit depth and sample rate up to and including 24-bit/192 kHz. Lossy files work in the same batch if you are mixing sources.
Yes: free accounts process audio up to 200 MB per file — for uncompressed PCM that is roughly twenty minutes of CD-quality stereo, so it is a real limit here in a way it is not for MP3. If you are over it, converting WAV to FLAC first is the free fix — it is lossless and roughly halves the size.
No. Lossless audio is edited sample-exactly, so what comes back decodes bit-identically to what you would get doing the same edit in a desktop editor. You can repeat the cycle as many times as you like without accumulating any loss at all.
Yes, though lossless files are large, so the batch is bound by upload bandwidth rather than by processing. Settings apply uniformly across the set.
Yes, unless you change them deliberately. A 24-bit/96 kHz source stays 24-bit/96 kHz — nothing is silently downsampled to 16/44.1, which is the failure mode that makes a master unusable.
No. Compress FLAC is free with no account required, and nothing is added to the audio. Uploads are deleted from the workers shortly after the job finishes.

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