Concretely, the mark is composited onto the decoded image and the result is re-encoded once, so add the watermark last, after any resizing or compression, rather than watermarking a master you will process again. You control the position, the size and the opacity, and the same settings are applied consistently across everything you upload.
Can I use my own logo, or only text?
+
Either. Upload a transparent PNG logo, or type text and choose the font, colour and opacity. A tiled repeat is available when one corner mark is too easy to crop away.
Does the file format affect how the watermark comes out?
+
It does. WebP carries both a lossy VP8 mode and a lossless mode plus full alpha, typically landing 25-35% under a JPG of matching visual quality. That governs how cleanly a semi-transparent mark can be blended into the underlying content.
Anything specific to WebP worth knowing?
+
Yes — the same .webp extension can hold a lossy VP8 frame, a lossless one, or an animation, so the sensible processing path is decided per file rather than per extension. It affects when in your workflow the mark should be applied.
Does a watermark actually protect my work?
+
It deters casual reuse and it credits you; it is not security. A corner mark can be cropped and a faint one can be painted out. If protection matters, a large semi-transparent mark across the subject is far harder to remove than a discreet one in a corner.
Should I watermark before or after resizing?
+
After. Watermark the final deliverable at its final size, so the mark stays legible and proportionate. Watermarking a master you will process again means the mark gets resampled and compressed along with everything else.
Kodi imagwira ntchito pa mafoni
+
Inde, chosinthira chathu chimagwira ntchito bwino ndipo chimagwira ntchito pa mafoni ndi mapiritsi. Mutha kusintha mafayilo pa iOS, Android, ndi nsanja ina iliyonse yam'manja pogwiritsa ntchito msakatuli wamakono.
