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Compress WMA

Free Online WMA Compressor

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*Files deleted after 24 hours

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How to Compress WMA

1 Drop your WMA audio files into the box above, or pick them from your device — there is nothing to install and no account to create.
2 Choose how hard to squeeze: a quality or bitrate target, and optionally smaller dimensions if size matters more to you than detail.
3 Start the job and let the workers re-pack the file; your original is never modified in place.
4 Compare the new size against the original, then download the compressed WMA file.

Compress WMA FAQ

How does Compress WMA actually make the file smaller?
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Concretely, the stream is decoded and re-encoded at a lower bitrate, which is a second lossy generation stacked on the first — so pick the target bitrate once, go straight there, and keep the original if you may need to re-edit later. Nothing about it depends on you installing software: the job runs server-side and hands back a finished file.
That is decided by the content, not by the tool. Photographic detail and film grain resist compression; flat colour, text and silence collapse. A realistic expectation is a large reduction on anything with big uniform regions and a modest one on a busy photograph or a high-motion clip.
Very much so. WMA is Windows Media Audio, tied to the Microsoft stack and poorly supported on phones. That determines both the headroom available and whether the saving costs you anything in fidelity.
Yes — WMA tooling outside the Microsoft stack is thin, which is why browser-side work on it is usually more reliable than a desktop app. It is worth knowing before you overwrite an original you might need again.
Compressing the same file repeatedly. Each pass on a lossy format is a fresh generation of loss and the savings shrink while the damage accumulates. Go from the original to your target in one step, and keep the original.
A single compressed file per input, at a quality or bitrate level you choose rather than a fixed default. If the result is not small enough, changing the dimensions or the duration will do more than pushing the quality slider further down.
MP3, AAC, M4A, OGG, Opus and WMA are the lossy codecs handled directly, and lossless sources (WAV, FLAC, AIFF) can go in the same batch. The codec is probed from the stream, so an incorrectly named file still works.
Yes: free accounts process audio up to 200 MB per file, which at typical bitrates is several hours of material; ffmpeg does the decoding and encoding, exactly as it would on a desktop. That is the most generous cap on the site after video, and audio work rarely runs into it.
A lossy file has already discarded detail once, and re-encoding discards more — that is generation loss and it does not undo. Wherever the job can be completed by copying the encoded stream rather than re-encoding it, that is what happens, and the audio comes back bit-identical.
Yes. Upload the set and they process in parallel with the same settings, which is the practical way to handle a podcast series or an album rather than repeating the job by hand.
Yes. ID3, Vorbis comments and MP4 metadata atoms are carried across, cover art included, so a processed file still sorts correctly in a music library. ReplayGain values are recalculated rather than copied, because a stale one is worse than none.
No. Compress WMA is free without an account and adds no audio watermark or spoken tag to the output. Your upload is deleted from the workers shortly after the job completes.

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